Giggs & Tiny Boost – Freestyle 2 (feat. Capo & Killa Ki) Lyrics

Giggs & Tiny Boost – Freestyle 2 (feat. Capo & Killa Ki) Lyrics
Freestyle 2
Giggs & Tiny Boost (feat. Capo & Killa Ki)
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    Freestyle 2 Album Art
    "Freestyle 2." - Giggs & Tiny Boost (feat. Capo & Killa Ki)

    Album: Who Said Dat?
    Track No: 07
    Hitting marks, testing my aim
    Just in my brain, it feels like they're pressing my vein
    I'm kind of pissed like I'm letting the game
    Get the best of me, but not the rest of me, it's better I change
    It's like things get worse and get in the way
    I hit the strip and I better my cane
    Are you getting my pain? **** hate and start wrecking my name
    It's not my fault that we sell it the same
    But we're all selling the beige, I've adapted or I've get up and change
    I love money so it's better I gain
    I ain't getting the range, but if I do, I'll be letting it rain
    Champagne ****, wetting the face
    You've been guessing for days, they call me CAPO, fam, remember the face
    If not, fam, remember the name
    I've been repping since day, still flagging Peckham, you might have to grab the semi
    Most **** acting ready, they ain't ready for shit
    **** know KK's real, got the German nine with the stainless steel
    Young Hugh Hefner, I'm famous, kill
    The waviest sour, I got a wavy grill
    Badman on the block from day, Hollowman pass me the black AK
    Got the lowdown, I'ma let it spray
    I ain't gonna stop, fam, I'm still KK
    Filling up my stack, fly up to OT, build me a trap
    Fuck one line, I'm a hit up the map
    Hit the TC then I build me a trap
    Switching the flows, who said that? Nobody knows
    Until you top Redline Road, you will get sprayed like hose
    Hunting with the big teeth, leave a ****'s chest looking like minced beef
    It was about Wednesday in the midweek, the **** let off a couple shots but it missed me
    MAC-10 looks grizzly, flinging round shots like a Frisbee
    I got the whole game smashed, **** dig me
    You get sprayed in the back when the Mizzy be
    Hollowman on a Swiss beat, run up on a **** with the strap and let the fizz be
    Gully motherfucker from the trap
    It's been six weeks since that ****'s got his money up, cause the strip's beef
    Roll up on a strip in the big V, real old-school G and you big league
    Shit's risky, I got a strap 'cause these **** wanna pitch me
    Your soldier to a boss, I'm a boss to a source
    You could be older or bolder, man's blind you over
    Daughter adds some **** shop before I rub the revolver
    Bra-couple at your collarbone and at your shoulder
    Listen, it's a madness, grab and bang shit
    Or hit the fucking strip, bang and slang shit
    Like fam, no time for a time-waster
    Big spliff when I'm counting up my paper
    Tell a bitch, I'll be back, I'll be round later
    Calm raising up crime with the crime raisers
    I'm that hard, dog, that the deaf can hear me talk
    And the blind can see me shine bright like Canary Wharf
    But to tell the truth, brother, they felt the pain was built
    We ain't getting stopped, we're getting raided and sent to jail
    No, what it is, before you open up your lips
    Cut your hair more bangs than November the 5th
    Let the beat go so I can let the streets know
    That I'm hungry, I'm grinding to see dough
    And I'm riding or die when my heat blow
    My shop to mini-cats, I don't keep the beef low
    I don't give a fuck about the gully or the guard
    Straight out of Peckham where my **** go hard
    No respect for the weak and the **** with no heart
    So don't start, you're rolling with dogs that don't bark
    Keep them little mutts on a leash
    This is that Black Gang Ridah SN1 beast
    Spare no one, **** know what the team is
    Lockdown for sticks where the rest of my G's is
    **** think they're real 'til I tear them to pieces
    You're new to the game, I live this and breathe it
    Twisted up cheese bitch, don't get me pissed
    Roll up on your strip and leave you beneath

    Writer(s): Nathaniel Thompson & Daniel Collins.

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